Holy enchilada. What a treasure chest of knowledge here in the replies. Thank you so much!
Rob: thank you for that video. I can’t find my Blaschke books right now (new house), but this interview triggered a lot of what I learned about progressions from him. I studied with him here in Portland, OR until he got annoyed with our goofy city and moved on. Hands down, he was the best astrology teacher I ever had. What I came away with was that his approach to progressions his very philosophical and spiritual.
Notes I took from the Video:According to Blaschke and his Forefathers, C.E.O. Carter and Alan Leo, these represent the development of the individual according to
Physical Body (Secondary Progressions), Earth (Matter) & Sun (Spirit)
Spirit entering Matter
Emotional Body (Tertiary Progressions), and 13 x faster than Secondary Earth (Matter) & Moon (Soul)
Matter entering Soul
Mental Body (Minor Progressions) causal 27 x faster than Secondary Moon (Soul) & Sun (Spirit)
Soul Entering Spirit These 3 progression techniques are very close to the “kaya” teachings I learned studying Tibetan Buddhism. When you become “attached” to the thoughts that are indicated by the Minor Progressions (mental) plane (Dharmakaya) they become thoughts in the astral Tertiary Progressions (Sambhogakaya). If those thoughts become obsessive, they manifest in the physical plane Secondary Progressions (Nirmanakaya). I’m using Buddhist terms because it’s the only tradition I can talk about with any confidence. I’m sure someone steeped in another tradition can explain it as something like: The Father, Son, Holy Ghost, etc.
Pretty heady stuff and it would take a special kind of astrologer to ferret good advice to give someone using those three kinds of progressions. It’s cool to ponder, however. Boils down to “think good thoughts” it's about as much as this pea brain can do with this powerful information.
Kathy Rose: I like your rule of simplicity. 30 minutes is a good timeline. “
there’s confidence in simplicity” …. nice. I must say I get weary of younger astrologers who use wheels with asteroids and kitchen sink planetary bodies. It just makes my head spin. You and others keep bringing up Solar Arcs. It’s time for me to start using them.
Don: I’m going to study Noel Tyl’s TP Moon timing technique. Thank you. Also, thanks for the reality check regarding Blaschke’s progressions. Interesting to know that other astrologers don’t use them. I certainly wouldn’t have the skill to know how to process all of that information.
I love your sandwich,
Barbara! NNode conjunct the Moon here, so I’m always cooking and thinking about food.
Barbara and PDW: (thank you both for pushing me towards using Solar Arcs as well) … since you mentioned my interest in music and PDW asked what in my chart triggered that, I decided to look. (Is it just me that neglects her own astrology weather report?).
I decided to use a technique I learned from Mr. Blaschke. You look at natal retrogrades and find out when any of them go direct using Secondary Progressions. Kind of like angles getting triggered: shift happens. Natal Mercury going direct = finding one’s voice, Natal Venus going direct = childbirth, marriage, etc. Since the Secondary Progressed chart equals the ephemeris for the 3 or so month after birth, you can use it to find the station direct dates. My only retrograde natal planet that’s gone direct is Neptune. Neptune went direct in April 2005 (age 58) and I started playing music with Hawaiians. I bought my first instrument in 2004 (Neptune was stationing by SP) and I learned to play the ukulele.
Also in April 2005 Solar Arcs: Neptune conjunct Natal SNode/ Mars conjunct Natal NNode. (My first Solar Arc use here).
SP/Solar Arc Sun was coming out of my natal 12th house after 30 years. Since 2008 (year of my Second Saturn return), I’ve been playing the mandolin and learning Irish traditional tunes obsessively and now can confidently play at home or at the pub with other musicians. In 2010 Solar Arc Venus exactly Sextiled my Natal Venus.
I was a dancer in my youth, but a car accident in 1998 put me in a wheelchair … so maybe I just needed to learn to dance with my fingers. Which I do.